{"id":323635,"date":"2026-08-11T14:31:50","date_gmt":"2026-08-11T14:31:50","guid":{"rendered":"https:\/\/blog.skylum.com\/jak-fotografovat-neformalni-snimky-s-vyvazenym-kompozicnim-pomerem\/"},"modified":"2026-08-15T04:59:35","modified_gmt":"2026-08-15T04:59:35","slug":"how-to-shoot-informal-balance-photography","status":"publish","type":"post","link":"https:\/\/blog.skylum.com\/cs\/how-to-shoot-informal-balance-photography\/","title":{"rendered":"Jak fotografovat neform\u00e1ln\u00ed sn\u00edmky s vyv\u00e1\u017een\u00fdm kompozi\u010dn\u00edm pom\u011brem"},"content":{"rendered":"\n

V\u011bt\u0161ina za\u010d\u00e1te\u010dn\u00edk\u016f si mysl\u00ed, \u017ee rovnov\u00e1ha ve fotografii znamen\u00e1 symetrii. Fotografie, kter\u00e9 vypadaj\u00ed jako z\u00e1b\u011bry z filmu Wese Andersona, kde je v\u0161e rovnom\u011brn\u011b rozlo\u017een\u00e9 a dokonale zrcadlov\u011b symetrick\u00e9. Je to snad jedin\u00fd zp\u016fsob, jak ve fotografii dos\u00e1hnout rovnov\u00e1hy?<\/p>\n\n

No, mnoho skv\u011bl\u00fdch fotografi\u00ed p\u016fsob\u00ed dokonale vyv\u00e1\u017een\u011b, ani\u017e by spl\u0148ovaly n\u011bkter\u00fd z t\u011bchto krit\u00e9ri\u00ed. Zku\u0161en\u00ed fotografov\u00e9 nedosahuj\u00ed vyv\u00e1\u017eenosti rovnom\u011brn\u00fdm rozlo\u017een\u00edm stran, ale rovnom\u011brnou vizu\u00e1ln\u00ed v\u00e1hou. A\u010dkoli se tento pojem m\u016f\u017ee zd\u00e1t neur\u010dit\u00fd, ve skute\u010dnosti jde o p\u0159ekvapiv\u011b snadno pochopiteln\u00fd koncept, a jakmile ho pochop\u00edte, za\u010dnete jeho mo\u017enosti vn\u00edmat v\u0161ude kolem sebe. Poj\u010fme na to.<\/p>\n\n

Co je to neform\u00e1ln\u00ed vyv\u00e1\u017eenost?<\/h2>\n\n
\"Horské<\/figure>\n\n

Pod\u00edvejme se nejprve na to, co je to form\u00e1ln\u00ed vyv\u00e1\u017eenost. Jedn\u00e1 se o p\u0159\u00edpad, kdy je na sn\u00edmku vizu\u00e1ln\u00ed symetrie, nap\u0159\u00edklad kdy\u017e objekt stoj\u00ed uprost\u0159ed a po obou stran\u00e1ch jsou stejn\u011b velk\u00e9 stromy.<\/p>\n\n

Neform\u00e1ln\u00ed rovnov\u00e1ha je prav\u00fdm opakem. P\u0159edstavte si obrovskou horu, kter\u00e1 dominuje jedn\u00e9 stran\u011b sn\u00edmku, a malou postavu stoj\u00edc\u00ed na stran\u011b druh\u00e9. Hora zcela ovl\u00e1d\u00e1 z\u00e1b\u011br, tak\u017ee by se dalo o\u010dek\u00e1vat, \u017ee se na ni soust\u0159ed\u00ed ve\u0161ker\u00e1 va\u0161e pozornost.<\/p>\n\n

P\u0159esto v\u0161ak m\u016f\u017ee sn\u00edmek p\u016fsobit dokonale vyv\u00e1\u017een\u011b, a pr\u00e1v\u011b zde vstupuje do hry vizu\u00e1ln\u00ed v\u00e1ha.<\/p>\n\n

A\u010dkoli m\u016f\u017ee b\u00fdt v\u00e1\u0161 objekt mal\u00fd, ve skute\u010dnosti m\u016f\u017ee o pozornost soupe\u0159it stejn\u011b jako hora, nebo dokonce je\u0161t\u011b v\u00edce. Pod\u00edvejme se, jak to funguje.<\/p>\n\n

Vizu\u00e1ln\u00ed v\u00e1ha<\/h2>\n\n

Pod\u00edvejme se tedy na to, co vytv\u00e1\u0159\u00ed vizu\u00e1ln\u00ed v\u00e1hu, d\u00edky n\u00ed\u017e si mal\u00e1 postava m\u016f\u017ee vy\u017eadovat stejnou pozornost jako n\u011bco kolos\u00e1ln\u00edho rozm\u011bru.<\/p>\n\n

Existuje mnoho zp\u016fsob\u016f, jak toho dos\u00e1hnout, ale z\u00e1\u0159iv\u00e9 barvy pat\u0159\u00ed k t\u011bm nej\u00fa\u010dinn\u011bj\u0161\u00edm. Z\u00e1\u0159iv\u00e9 barvy maj\u00ed obrovsk\u00fd vizu\u00e1ln\u00ed dopad a okam\u017eit\u011b upoutaj\u00ed pozornost div\u00e1ka. Najednou se obrovsk\u00e1 hora, budova nebo most, kter\u00e9 zab\u00edraj\u00ed v\u011bt\u0161inu z\u00e1b\u011bru, st\u00e1vaj\u00ed a\u017e druh\u00fdm prvkem, kter\u00e9ho si div\u00e1k v\u0161imne.<\/p>\n\n

Tot\u00e9\u017e plat\u00ed pro jasn\u00e9 sv\u011btlo a vysok\u00fd kontrast. Pokud je v\u011bt\u0161\u00ed objekt ve va\u0161em z\u00e1b\u011bru tmav\u0161\u00ed, p\u0159irozen\u011b ustupuje do pozad\u00ed, zat\u00edmco jasn\u011bj\u0161\u00ed barvy, osv\u011btlen\u00e9 oblasti a v\u00fdrazn\u011bj\u0161\u00ed kontrast vystupuj\u00ed do pop\u0159ed\u00ed. Pr\u00e1v\u011b tyto prvky n\u00e1\u0161 mozek instinktivn\u011b vn\u00edm\u00e1 jako prvn\u00ed.<\/p>\n\n

Pokud jde o barvy, je tu v\u0161ak jedna mal\u00e1 v\u00fdhrada. Existuje pojem zvan\u00fd \u201ebarevn\u00e1 v\u00e1ha\u201c, kter\u00fd p\u0159edstavuje d\u016fle\u017eit\u00fd princip v teorii barev. Tepl\u00e9 barvy p\u0159irozen\u011b vystupuj\u00ed do pop\u0159ed\u00ed, zat\u00edmco chladn\u011bj\u0161\u00ed barvy maj\u00ed tendenci ustupovat do pozad\u00ed. <\/p>\n\n

Pokud je tedy v\u00e1\u0161 v\u011bt\u0161\u00ed objekt \u010derven\u00fd, zat\u00edmco fotografovan\u00fd objekt obsahuje chladn\u011bj\u0161\u00ed barvy, bude pro v\u00e1s mnohem t\u011b\u017e\u0161\u00ed dos\u00e1hnout vizu\u00e1ln\u00ed rovnov\u00e1hy.<\/p>\n\n

Na\u0161t\u011bst\u00ed barva nen\u00ed jedin\u00fdm zp\u016fsobem, jak vytvo\u0159it vizu\u00e1ln\u00ed v\u00e1hu. Pozornost p\u0159irozen\u011b p\u0159itahuj\u00ed tak\u00e9 tv\u00e1\u0159e lid\u00ed a zv\u00ed\u0159ata. Je to t\u00e9m\u011b\u0159 jako by nesly psychologickou v\u00e1hu, proto\u017ee n\u00e1\u0161 mozek je naprogramov\u00e1n k rozpozn\u00e1v\u00e1n\u00ed tv\u00e1\u0159\u00ed. S touto znalost\u00ed to m\u016f\u017eete vyu\u017e\u00edt ve sv\u016fj prosp\u011bch. Portr\u00e9tn\u00ed fotografov\u00e9 nap\u0159\u00edklad mohou velmi snadno vytvo\u0159it neform\u00e1ln\u00ed rovnov\u00e1hu, proto\u017ee tv\u00e1\u0159 ji\u017e sama o sob\u011b p\u0159itahuje velkou \u010d\u00e1st pozornosti.<\/p>\n\n

A kone\u010dn\u011b, jedn\u00edm z nejd\u016fle\u017eit\u011bj\u0161\u00edch faktor\u016f ovliv\u0148uj\u00edc\u00edch vizu\u00e1ln\u00ed v\u00e1hu je zaost\u0159en\u00ed. Ost\u0159e zaost\u0159en\u00e9 oblasti t\u00e9m\u011b\u0159 v\u017edy upoutaj\u00ed pozornost v\u00edce ne\u017e ty rozost\u0159en\u00e9. Pokud je v\u00e1\u0161 objekt dokonale zaost\u0159en\u00fd, zat\u00edmco v\u011bt\u0161\u00ed objekt z\u016fst\u00e1v\u00e1 rozost\u0159en\u00fd, oko se p\u0159irozen\u011b nejprve zam\u011b\u0159\u00ed na v\u00e1\u0161 objekt.\"Koláž<\/p>\n\n

Te\u010f, kdy\u017e u\u017e m\u00e1te jasno v tom, co je vizu\u00e1ln\u00ed v\u00e1ha a jak vytv\u00e1\u0159\u00ed neform\u00e1ln\u00ed rovnov\u00e1hu, pod\u00edvejme se na n\u011bkolik p\u0159\u00edklad\u016f, kter\u00e9 m\u016f\u017eete vyzkou\u0161et p\u0159i sv\u00e9m p\u0159\u00ed\u0161t\u00edm focen\u00ed.<\/p>\n\n

N\u00e1pad 1: Velk\u00e9 vs. mal\u00e9<\/h2>\n\n

Za\u010dn\u011bme n\u00e1padem, o kter\u00e9m jsme se ji\u017e zm\u00ednili: nechte jednu polovinu z\u00e1b\u011bru ovl\u00e1dnout velk\u00fdm prvkem, jako je hora, vysok\u00e1 budova nebo most, zat\u00edmco na opa\u010dn\u00e9 stran\u011b um\u00edst\u011bte hlavn\u00ed objekt, nap\u0159\u00edklad osobu, chatu nebo auto.<\/p>\n\n

Nyn\u00ed m\u016f\u017eeme tento p\u0159\u00edstup je\u0161t\u011b vylep\u0161it t\u00edm, \u017ee vedle hlavn\u00edho objektu um\u00edst\u00edme dal\u0161\u00ed, men\u0161\u00ed prvek. Spole\u010dn\u011b vytvo\u0159\u00ed dostate\u010dn\u00fd vizu\u00e1ln\u00ed z\u00e1jem, kter\u00fd vyv\u00e1\u017e\u00ed mnohem v\u011bt\u0161\u00ed objekt.<\/p>\n\n

Pokud fotografujete horskou scen\u00e9rii s lidskou postavou, mo\u017en\u00e1 by se do z\u00e1b\u011bru hodil n\u011bjak\u00fd strom v bl\u00edzkosti. Pokud je va\u0161\u00edm objektem chata, mo\u017en\u00e1 je vedle n\u00ed zaparkovan\u00e9 auto nebo se v okol\u00ed nach\u00e1z\u00ed n\u011bjak\u00e9 zv\u00ed\u0159e, nap\u0159\u00edklad jelen \u010di pt\u00e1ci. P\u0159id\u00e1n\u00ed dal\u0161\u00edho prvku okam\u017eit\u011b zv\u00fd\u0161\u00ed zaj\u00edmavost sn\u00edmku a upout\u00e1 pozornost na tuto stranu z\u00e1b\u011bru.\"Horské<\/p>\n\n

Je\u0161t\u011b d\u016fle\u017eit\u011bj\u0161\u00ed je, \u017ee pr\u00e1v\u011b v t\u011bchto men\u0161\u00edch prvc\u00edch se \u010dasto odehr\u00e1v\u00e1 samotn\u00fd p\u0159\u00edb\u011bh. Nesou v sob\u011b emocion\u00e1ln\u00ed n\u00e1boj a pom\u00e1haj\u00ed vyv\u00e1\u017eit fyzickou dominanci v\u011bt\u0161\u00ed struktury.<\/p>\n\n

N\u00e1pad \u010d. 2: Sv\u011btlo versus tma<\/h2>\n\n

Kontrast sv\u011btla a tmy je n\u011bco, co m\u016f\u017ee vyu\u017e\u00edt t\u00e9m\u011b\u0159 ka\u017ed\u00fd fotograf, v\u010detn\u011b no\u010dn\u00edch fotograf\u016f.<\/p>\n\n

Sv\u011btlej\u0161\u00ed \u010d\u00e1st sn\u00edmku p\u0159irozen\u011b upout\u00e1 pozornost jako prvn\u00ed, co\u017e z n\u00ed d\u011bl\u00e1 ide\u00e1ln\u00ed m\u00edsto pro um\u00edst\u011bn\u00ed va\u0161eho objektu. Skv\u011bl\u00fdmi p\u0159\u00edklady jsou nap\u0159\u00edklad sv\u011btl\u00e9 okno, za kter\u00fdm stoj\u00ed n\u011bkdo, auto se zapnut\u00fdmi sv\u011btly nebo dokonce m\u011bs\u00edc osv\u011btluj\u00edc\u00ed krajinu.<\/p>\n\n

Mo\u017en\u00e1 fotografujete les, kde slune\u010dn\u00ed sv\u011btlo pronik\u00e1 skrz koruny strom\u016f a osv\u011btluje malou rostlinu, kter\u00e1 je ve srovn\u00e1n\u00ed s okoln\u00edmi stromy nepatrn\u00e1. Nebo mo\u017en\u00e1 v\u00e1\u0161 objekt prost\u011b vstoup\u00ed do toho paprsku sv\u011btla.<\/p>\n\n

No\u010dn\u00ed fotografov\u00e9 p\u0159irozen\u011b pracuj\u00ed se sv\u011btlem, proto\u017ee \u2013 zjednodu\u0161en\u011b \u0159e\u010deno \u2013 nelze fotografovat samotnou tmu. Pokud pochop\u00edte, jak sv\u011btlo p\u0159isp\u00edv\u00e1 k neform\u00e1ln\u00ed kompozici, m\u016f\u017eete s jistotou nechat, aby v\u00e1\u0161 z\u00e1b\u011br dominovala obrovsk\u00e1 budova \u010di mrakodrap, zat\u00edmco v\u00e1\u0161 hlavn\u00ed objekt bude osv\u011btlen pouli\u010dn\u00ed lampou nebo neonov\u00fdm n\u00e1pisem. Div\u00e1k budovu bezpochyby rozpozn\u00e1, ale a\u017e pot\u00e9, co si nejprve v\u0161imne va\u0161eho hlavn\u00edho objektu.\"Temná<\/p>\n\n

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Editor fotografi\u00ed s um\u011blou inteligenc\u00ed pro MacOS a Windows\r\n\r\n<\/p>\n

\n \n Objevte nyn\u00ed! <\/a>\n <\/div>\n <\/div>\n<\/div>\n

N\u00e1pad \u010d. 3: Barva<\/h2>\n\n

Barva je jedn\u00edm z nejjednodu\u0161\u0161\u00edch zp\u016fsob\u016f, jak vytvo\u0159it neform\u00e1ln\u00ed rovnov\u00e1hu, zejm\u00e9na p\u0159i fotografov\u00e1n\u00ed lid\u00ed, proto\u017ee ji \u010dasto m\u016f\u017eete zcela ovl\u00e1dat.<\/p>\n\n

Vid\u011bl jsem mnoho fotograf\u016f krajiny, kte\u0159\u00ed pou\u017e\u00edvaj\u00ed pestrobarevn\u00e9 oble\u010den\u00ed k zd\u016frazn\u011bn\u00ed m\u011b\u0159\u00edtka. Oko se okam\u017eit\u011b upout\u00e1 na drobn\u00e9ho turisty stoj\u00edc\u00edho uprost\u0159ed obrovsk\u00fdch hor nebo \u00fadol\u00ed.<\/p>\n\n

Z\u00e1\u0159iv\u00e9 nepromokav\u00e9 bundy ve \u017elut\u00e9, \u010derven\u00e9 nebo modr\u00e9 barv\u011b funguj\u00ed skv\u011ble, proto\u017ee se v\u00fdrazn\u011b odli\u0161uj\u00ed od okoln\u00ed krajiny.\"Osoba P\u0159edstavte si, \u017ee by ten sam\u00fd turista m\u011bl na sob\u011b tmav\u011b zelenou bundu na pozad\u00ed travnat\u00fdch svah\u016f nebo \u0161edou p\u0159ed pozad\u00edm sope\u010dn\u00fdch hor. Pravd\u011bpodobn\u011b byste si v\u0161imli hory mnohem d\u0159\u00edve ne\u017e toho \u010dlov\u011bka, a pr\u00e1v\u011b tomu se sna\u017e\u00edme zabr\u00e1nit.<\/p>\n\n

Pokud fot\u00edte ve m\u011bst\u011b, dal\u0161\u00edm skv\u011bl\u00fdm p\u0159\u00edkladem jsou de\u0161tn\u00edky. Barevn\u00e9 de\u0161tn\u00edky v pochmurn\u00fdch, de\u0161tiv\u00fdch dnech pomohou va\u0161emu objektu okam\u017eit\u011b vyniknout v jinak \u0161ed\u00e9m prost\u0159ed\u00ed.<\/p>\n\n

K vytvo\u0159en\u00ed neform\u00e1ln\u00ed rovnov\u00e1hy m\u016f\u017eete tak\u00e9 vyu\u017e\u00edt barevn\u00e9 kv\u011btiny, z\u00e1\u0159iv\u00e9 automobily nebo syt\u011b zbarven\u00e9 ingredience p\u0159i fotografov\u00e1n\u00ed j\u00eddla. Nezapome\u0148te v\u0161ak na d\u0159\u00edve zm\u00edn\u011bn\u00e9 principy teorie barev. Pochopen\u00ed toho, kter\u00e9 barvy p\u0159irozen\u011b vystupuj\u00ed do pop\u0159ed\u00ed a kter\u00e9 ustupuj\u00ed do pozad\u00ed, v\u00e1m pom\u016f\u017ee vytvo\u0159it harmonii ve sn\u00edmku a z\u00e1rove\u0148 zajistit, \u017ee v\u00e1\u0161 objekt vynikne.<\/p>\n\n

N\u00e1pad \u010d. 4: Negativn\u00ed prostor<\/h2>\n\n

V\u011bt\u0161\u00ed \u010d\u00e1st va\u0161eho z\u00e1b\u011bru nemus\u00ed b\u00fdt v\u017edy n\u011b\u010d\u00edm zapln\u011bna. N\u011bkdy m\u016f\u017ee b\u00fdt zcela pr\u00e1zdn\u00e1, co\u017e se ozna\u010duje jako negativn\u00ed prostor.<\/p>\n\n

Negativn\u00ed prostor z\u00e1m\u011brn\u011b odstra\u0148uje detaily z \u010d\u00e1sti z\u00e1b\u011bru, nap\u0159\u00edklad prost\u0159ednictv\u00edm otev\u0159en\u00e9 oblohy, hust\u00e9 mlhy nebo klidn\u00e9 vody. I kdy\u017e to m\u016f\u017ee zn\u00edt nezaj\u00edmav\u011b, ve skute\u010dnosti se jedn\u00e1 o neuv\u011b\u0159iteln\u011b siln\u00fd kompozi\u010dn\u00ed n\u00e1stroj, proto\u017ee d\u00e1v\u00e1 va\u0161emu objektu prostor k d\u00fdch\u00e1n\u00ed a z\u00e1rove\u0148 div\u00e1kovi v\u00fdrazn\u011b usnad\u0148uje, aby si ho okam\u017eit\u011b v\u0161iml.<\/p>\n\n

Osam\u011bl\u00fd turista, osamocen\u00fd strom nebo izolovan\u00e1 chata obklopen\u00e1 negativn\u00edm prostorem okam\u017eit\u011b navozuj\u00ed pocity osam\u011blosti a izolace.<\/p>\n\n

M\u016f\u017eete dokonce nechat samotn\u00fd negativn\u00ed prostor st\u00e1t se hlavn\u00edm motivem. P\u0159edstavte si, \u017ee nech\u00e1te oblohu zab\u00edrat v\u00edce ne\u017e dv\u011b t\u0159etiny z\u00e1b\u011bru, zat\u00edmco pod n\u00ed ti\u0161e le\u017e\u00ed mal\u00e9 poho\u0159\u00ed. Jemn\u00fd p\u0159echod, kde se obloha setk\u00e1v\u00e1 s horizontem, m\u016f\u017ee b\u00fdt natolik zaj\u00edmav\u00fd, \u017ee s\u00e1m o sob\u011b unese cel\u00fd sn\u00edmek.\"Minimalistický<\/p>\n\n

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Zlep\u0161ete sv\u00e9 fotografie pomoc\u00ed na\u0161eho pokro\u010dil\u00e9ho softwaru\r\n\r\n<\/p>\n

\n \n Objevte ceny <\/a>\n <\/div>\n <\/div>\n<\/div>\n

\u00dapravy pro dosa\u017een\u00ed neform\u00e1ln\u00ed vyv\u00e1\u017eenosti v Luminaru<\/h2>\n\n

Ne v\u017edy m\u00e1me \u00faplnou kontrolu nad sv\u00fdm prost\u0159ed\u00edm, tak\u017ee n\u011bkdy se \u00fapravy st\u00e1vaj\u00ed nejjednodu\u0161\u0161\u00edm zp\u016fsobem, jak pos\u00edlit neform\u00e1ln\u00ed rovnov\u00e1hu. Zde je n\u011bkolik m\u00fdch obl\u00edben\u00fdch n\u00e1stroj\u016f v aplikaci Luminar.<\/p>\n\n

    \n
  1. O\u0159ez\u00e1v\u00e1n\u00ed pomoc\u00ed AI:<\/strong> Jedn\u00edm z nejjednodu\u0161\u0161\u00edch zp\u016fsob\u016f, jak vylep\u0161it vyv\u00e1\u017eenost sn\u00edmku, je o\u0159ez\u00e1n\u00ed. Funkce \u201eComposition AI\u201c v aplikaci Luminar v\u00e1m dok\u00e1\u017ee inteligentn\u011b navrhnout p\u016fsobiv\u011bj\u0161\u00ed kompozice, p\u0159\u00edpadn\u011b m\u016f\u017eete sn\u00edmek o\u0159\u00edznout ru\u010dn\u011b. D\u00edky tomu m\u016f\u017eete objekt perfektn\u011b um\u00edstit, a\u0165 u\u017e podle pravidla t\u0159etin, zlat\u00e9ho \u0159ezu, nebo tak, jak to nejl\u00e9pe vyhovuje dan\u00e9 sc\u00e9n\u011b.\"Crop<\/li>\n\n\n\n
  2. Vignette:<\/strong> Jedn\u00e1 se o dal\u0161\u00ed skv\u011bl\u00fd n\u00e1stroj pro nasm\u011brov\u00e1n\u00ed pozornosti. Jemn\u00fdm ztmaven\u00edm okraj\u016f sn\u00edmku sn\u00ed\u017e\u00edte vizu\u00e1ln\u00ed z\u00e1va\u017enost v roz\u00edch a p\u0159irozen\u011b tak nasm\u011brujete pohled div\u00e1ka na hlavn\u00ed motiv. Jen si pamatujte, \u017ee sta\u010d\u00ed jen m\u00e1lo.\"Vigneta<\/li>\n\n\n\n
  3. Zesv\u011btlen\u00ed a ztmaven\u00ed:<\/strong> Pamatujete si, o \u010dem jsme mluvili ohledn\u011b sv\u011btla a st\u00ednu? Tento efekt m\u016f\u017eeme sami zd\u016fraznit pomoc\u00ed funkc\u00ed \u201eDodge\u201c a \u201eBurn\u201c. Funkc\u00ed \u201eDodge\u201c m\u016f\u017eete zesv\u011btlit fotografovan\u00fd objekt a funkc\u00ed \u201eBurn\u201c m\u00edrn\u011b ztmavit v\u011bt\u0161\u00ed prvek v z\u00e1b\u011bru. Op\u011bt plat\u00ed, \u017ee kl\u00ed\u010dem je jemnost. P\u0159\u00edli\u0161n\u00e9 pou\u017eit\u00ed t\u011bchto funkc\u00ed rychle vede k nep\u0159irozen\u00e9mu vzhledu, kter\u00fd odv\u00e1d\u00ed pozornost od sn\u00edmku.\"Zesvětlování<\/li>\n\n\n\n
  4. Hloubka osv\u011btlen\u00ed: Tento <\/strong>n\u00e1stroj v\u00e1m umo\u017e\u0148uje upravit osv\u011btlen\u00ed obr\u00e1zku v 3D prostoru. M\u016f\u017eete tak p\u0159es<\/em> obr\u00e1zek posunout sv\u011bteln\u00fd zdroj a nasm\u011brovat ho na objekt. D\u00edky inteligentn\u00edmu fungov\u00e1n\u00ed tohoto n\u00e1stroje bude sv\u011btlo dopadat a chovat se p\u0159irozen\u011b v souladu s va\u0161\u00ed sc\u00e9nou, tak\u017ee jej m\u016f\u017eete um\u00edstit nad objekt a pomoci mu tak jasn\u011b vyniknout.\"Hloubka<\/li>\n\n\n\n
  5. Barva:<\/strong> Ka\u017ed\u00fd n\u00e1stroj v aplikaci Luminar obsahuje mo\u017enosti maskov\u00e1n\u00ed, d\u00edky nim\u017e m\u016f\u017eete upravovat fotografovan\u00fd objekt nez\u00e1visle na zbytku sn\u00edmku. Pokud tedy m\u011bl v\u00e1\u0161 objekt b\u011bhem focen\u00ed na sob\u011b bundu v jasn\u00e9 barv\u011b, sta\u010d\u00ed ji zamaskovat a upravit odst\u00edn, sytost nebo jas, aby l\u00e9pe vynikl na pozad\u00ed okoln\u00ed krajiny.\"Barvy<\/li>\n<\/ol>\n\n

    Z\u00e1v\u011br<\/h2>\n\n

    I kdy\u017e mo\u017en\u00e1 instinktivn\u011b chcete ka\u017edou sc\u00e9nu vyv\u00e1\u017eit symetri\u00ed, n\u011bkdy pr\u00e1v\u011b opa\u010dn\u00fd p\u0159\u00edstup vytvo\u0159\u00ed mnohem siln\u011bj\u0161\u00ed a poutav\u011bj\u0161\u00ed fotografii.<\/p>\n\n

    D\u00edky neform\u00e1ln\u00ed rovnov\u00e1ze m\u016f\u017eeme zajistit, \u017ee i ten nejmen\u0161\u00ed objekt v z\u00e1b\u011bru se stane prvn\u00ed v\u011bc\u00ed, kter\u00e9 si div\u00e1k v\u0161imne. A\u0165 u\u017e toho dos\u00e1hnete pomoc\u00ed barvy, sv\u011btla, zaost\u0159en\u00ed nebo jin\u00fdch technik, o kter\u00fdch jsme hovo\u0159ili, v\u0161echny p\u0159isp\u00edvaj\u00ed k vizu\u00e1ln\u00ed v\u00e1ze va\u0161eho objektu.<\/p>\n\n

    Vyzkou\u0161ejte to tedy p\u0159i sv\u00e9m p\u0159\u00ed\u0161t\u00edm focen\u00ed. Nechte ve sv\u00e9 kompozici dominovat v\u011bt\u0161\u00ed prvek a pot\u00e9 pomoc\u00ed t\u011bchto technik zajist\u011bte, aby v\u00e1\u0161 objekt vynikl a vytvo\u0159il kr\u00e1sn\u011b vyv\u00e1\u017een\u00fd sn\u00edmek.<\/p>\n","protected":false},"excerpt":{"rendered":"

    Pro\u010d n\u011bkter\u00e9 fotografie p\u016fsob\u00ed dokonale vyv\u00e1\u017een\u011b, i kdy\u017e nejsou symetrick\u00e9? Fotograf Steve Roe vysv\u011btluje, jak neform\u00e1ln\u00ed vyv\u00e1\u017eenost a vizu\u00e1ln\u00ed v\u00e1ha mohou prom\u011bnit va\u0161e kompozice.<\/p>\n","protected":false},"author":105,"featured_media":322717,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_eb_attr":"","footnotes":""},"categories":[9],"tags":[],"class_list":["post-323635","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-cs"],"acf":[],"yoast_head":"\nNeform\u00e1ln\u00ed vyv\u00e1\u017eenost ve fotografii: Pravidla a tipy | Blog Skylum<\/title>\n<meta name=\"description\" content=\"Praktick\u00e9 techniky pro um\u00edst\u011bn\u00ed ohniskov\u00fdch bod\u016f mimo st\u0159ed, vyv\u00e1\u017een\u00ed sv\u011btla a textury a vyu\u017eit\u00ed m\u011b\u0159\u00edtka k tomu, aby va\u0161e fotografie z\u016fstala zaj\u00edmav\u00e1, ale z\u00e1rove\u0148 pod kontrolou\" \/>\n<meta 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