{"id":323643,"date":"2026-08-11T14:52:31","date_gmt":"2026-08-11T14:52:31","guid":{"rendered":"https:\/\/blog.skylum.com\/kreativni-fotografovani-z-vysokeho-uhlu-ktere-stoji-za-vyzkouseni\/"},"modified":"2026-08-15T05:05:30","modified_gmt":"2026-08-15T05:05:30","slug":"creative-high-angle-photography-to-try","status":"publish","type":"post","link":"https:\/\/blog.skylum.com\/cs\/creative-high-angle-photography-to-try\/","title":{"rendered":"Kreativn\u00ed fotografov\u00e1n\u00ed z vysok\u00e9ho \u00fahlu, kter\u00e9 stoj\u00ed za vyzkou\u0161en\u00ed"},"content":{"rendered":"\n

V\u011bt\u0161inou, kdy\u017e fot\u00edme venku, zvedneme fotoapar\u00e1t do \u00farovn\u011b o\u010d\u00ed a fot\u00edme to, co m\u00e1me p\u0159\u00edmo p\u0159ed sebou. Takhle toti\u017e p\u0159irozen\u011b vn\u00edm\u00e1me sv\u011bt a div\u00e1k\u016fm to nab\u00edz\u00ed zn\u00e1mou perspektivu.<\/p>\n\n

Vzpom\u00edn\u00e1m si v\u0161ak, jak jsem si jedn\u00e9 noci p\u0159i focen\u00ed v ulic\u00edch Soulu kladl ot\u00e1zku: Co kdybych se dostal o n\u011bco v\u00fd\u0161? Co by mi to mohlo p\u0159in\u00e9st? Uk\u00e1zalo se, \u017ee toho bylo opravdu hodn\u011b. Z t\u00e9to zku\u0161enosti jsem se nau\u010dil, \u017ee kdykoli m\u00e1m mo\u017enost dostat se o n\u011bco v\u00fd\u0161, m\u011bl bych toho vyu\u017e\u00edt, proto\u017ee to nenab\u00edz\u00ed jen lep\u0161\u00ed v\u00fdhled, ale i zcela nov\u00fd pohled na vypr\u00e1v\u011bn\u00ed p\u0159\u00edb\u011bhu a kompozici.<\/p>\n\n

Objevov\u00e1n\u00ed vysok\u00fdch \u00fahl\u016f v Gangnamu<\/h2>\n\n

Toto focen\u00ed se odehr\u00e1lo v Gangnamu. Pokud jste tam n\u011bkdy byli, v\u00edte, jak je to tam ru\u0161n\u00e9. Je to vlastn\u011b jedno z m\u00edst, kter\u00e1 pro pouli\u010dn\u00ed fotografii nem\u00e1m zrovna v oblib\u011b, proto\u017ee tam nen\u00ed v\u016fbec \u017e\u00e1dn\u00fd voln\u00fd v\u00fdhled. Ulice jsou ve dne i v noci v\u017edycky p\u0159epln\u011bn\u00e9 a p\u0159\u00edle\u017eitost\u00ed k po\u0159\u00edzen\u00ed slu\u0161n\u00fdch sn\u00edmk\u016f je tam pom\u00e1lu. Ale i p\u0159esto, \u017ee jsem si sl\u00edbil, \u017ee se tam u\u017e nikdy nevr\u00e1t\u00edm fotit, ocitl jsem se tam s fotoapar\u00e1tem, a tak jsem musel improvizovat.<\/p>\n\n

Tehdy jsem si uv\u011bdomil, jak strm\u00e9 a kopcovit\u00e9 jsou ulice v Gangnamu.\"Pohled Soul je obecn\u011b velmi kopcovit\u00fd, ale v Gangnamu to p\u016fsob\u00ed je\u0161t\u011b v\u00fdrazn\u011bji. M\u00e1m na mysli takov\u00e9 kopce, p\u0159i ch\u016fzi po nich se \u010dlov\u011bk nev\u011bdomky nakl\u00e1n\u00ed m\u00edrn\u011b dop\u0159edu a p\u00e1l\u00ed ho stehna.<\/p>\n\n

Bylo tam tak\u00e9 spousta budov s vn\u011bj\u0161\u00edmi schodi\u0161ti. Architektura \u010dtvrti Gangnam je obzvl\u00e1\u0161t\u011b modern\u00ed a jedine\u010dn\u00e1, nab\u00edz\u00ed k prozkoum\u00e1n\u00ed \u0159adu fantastick\u00fdch stavebn\u00edch \u0159e\u0161en\u00ed a mnoho budov m\u00e1 schodi\u0161t\u011b um\u00edst\u011bn\u00e1 na vn\u011bj\u0161\u00ed stran\u011b, co\u017e jinde moc \u010dasto neuvid\u00edte.\"Letecký<\/p>\n\n

Za\u010dal jsem je tedy vyu\u017e\u00edvat jako vyhl\u00eddkov\u00e1 m\u00edsta, t\u00e9m\u011b\u0159 jako z\u00e1minku k tomu, abych se vymanil z davu. Najednou jsem fotil jako o \u017eivot, co\u017e se v\u016fbec nepodobalo tomu, co bych norm\u00e1ln\u011b od fotografov\u00e1n\u00ed v Gangnamu o\u010dek\u00e1val, a sn\u00edmky se mi jen hrnuly.<\/p>\n\n

Co m\u011b opravdu zaujalo, bylo to, jak se objekty odli\u0161ovaly od pozad\u00ed. Dok\u00e1zal jsem je rozeznat mnohem jasn\u011bji, a to i uprost\u0159ed hust\u00e9ho davu. Zjistil jsem, \u017ee hled\u00e1m lidi v jasn\u00fdch barv\u00e1ch, d\u00edky \u010demu\u017e se p\u0159irozen\u011b odli\u0161ovali od tmav\u0161\u00edch ulic pod nimi.<\/p>\n\n

Zachytil jsem n\u011bkolik skv\u011bl\u00fdch okam\u017eik\u016f, kter\u00e9 by se bez v\u00fd\u0161ky prost\u011b nemohly odehr\u00e1t.<\/p>\n\n

Pro\u010d vysok\u00e9 \u00fahly funguj\u00ed<\/h2>\n\n

N\u011bkter\u00e9 ulice, kter\u00e9 jsem fotografoval shora, z \u00farovn\u011b zem\u011b nevypadaly v\u016fbec zaj\u00edmav\u011b. Chyb\u011bly tam orienta\u010dn\u00ed body, kter\u00e9 by kompozici sjednotily, proto\u017ee v\u0161e bylo vizu\u00e1ln\u011b p\u0159\u00edli\u0161 p\u0159epln\u011bn\u00e9.<\/p>\n\n

Z v\u00fd\u0161ky jsem v\u0161ak najednou za\u010dal vn\u00edmat vzory v dopravn\u00edm zna\u010den\u00ed, kter\u00fdch jsem si p\u0159edt\u00edm t\u00e9m\u011b\u0159 nev\u0161iml. Tyto geometrick\u00e9 tvary na ulic\u00edch dodaly sn\u00edmku dal\u0161\u00ed rozm\u011br a pomohly dotvo\u0159it kompozici.\"Černobílý<\/p>\n\n

Za\u010dal se tak\u00e9 r\u00fdsovat \u00fapln\u011b jin\u00fd p\u0159\u00edb\u011bh. Z tohoto \u00fahlu pohledu p\u016fsobili lid\u00e9 mnohem osam\u011bleji. V kombinaci s m\u00fdm stylem \u00fapravy sn\u00edmk\u016f, nep\u0159\u00edzniv\u00fdm po\u010das\u00edm a atmosf\u00e9rou no\u010dn\u00edch ulic v Gangnamu to v\u0161e dohromady vytvo\u0159ilo mnohem siln\u011bj\u0161\u00ed n\u00e1ladu.<\/p>\n\n

A kone\u010dn\u011b schopnost ud\u011blat zaj\u00edmav\u00e9 i oby\u010dejn\u00e9 sc\u00e9ny \u2013 to je n\u011bco, co by se nem\u011blo podce\u0148ovat. Zm\u011bnou v\u00fd\u0161ky poskytujeme div\u00e1k\u016fm mo\u017enost pro\u017e\u00edt zn\u00e1m\u00e1 m\u00edsta z \u00fahlu pohledu, kter\u00fd by norm\u00e1ln\u011b nevid\u011bli. To samo o sob\u011b \u010dasto sta\u010d\u00ed k upout\u00e1n\u00ed jejich pozornosti a zbytek u\u017e za v\u00e1s vy\u0159e\u0161\u00ed v\u00e1\u0161 objekt a zp\u016fsob vypr\u00e1v\u011bn\u00ed.<\/p>\n\n

Odli\u0161en\u00ed objektu<\/h2>\n\n

P\u0159i fotografov\u00e1n\u00ed z vy\u0161\u0161\u00edho \u00fahlu pozad\u00ed zcela m\u011bn\u00ed to, jak jasn\u011b vid\u00edme n\u00e1\u0161 objekt. Nap\u0159\u00edklad fotografov\u00e1n\u00ed auta z \u00farovn\u011b o\u010d\u00ed znamen\u00e1, \u017ee za n\u00edm m\u00e1te pozad\u00ed m\u011bsta nebo krajiny. I kdy\u017e to m\u016f\u017ee dob\u0159e fungovat, m\u016f\u017ee to tak\u00e9 odv\u00e1d\u011bt pozornost, zejm\u00e9na pokud chcete, aby se pozornost soust\u0159edila v\u00fdhradn\u011b na samotn\u00e9 auto. Kdy\u017e si najdete m\u00edrn\u011b vyv\u00fd\u0161en\u00e9 m\u00edsto, pozad\u00edm se najednou stane silnice, \u010d\u00edm\u017e vznikne \u010dist\u00fd, t\u00e9m\u011b\u0159 negativn\u00ed prostor, kter\u00fd soust\u0159ed\u00ed ve\u0161kerou pozornost na auto.<\/p>\n\n

P\u0159esn\u011b to jsem zjistil b\u011bhem sv\u00e9ho focen\u00ed v Gangnamu. Silnice a chodn\u00edky se najednou staly kulisou pro m\u00e9 fotografovan\u00e9 osoby a proto\u017ee tyto povrchy byly obecn\u011b mnohem tmav\u0161\u00ed, lid\u00e9 na nich vynikali mnohem z\u0159eteln\u011bji. Barvy jejich oble\u010den\u00ed a de\u0161tn\u00edk\u016f opravdu z\u00e1\u0159ily a kolem nebyly \u017e\u00e1dn\u00e9 jin\u00e9 barvy, lid\u00e9 ani m\u011bstsk\u00e1 sv\u011btla, kter\u00e9 by s nimi soupe\u0159ily o pozornost.\"Barevná<\/p>\n\n

Objevuj\u00ed se skryt\u00e9 vzory<\/h2>\n\n

D\u00e1le se m\u016f\u017eeme pod\u00edvat na n\u011bco, co bylo z \u00farovn\u011b o\u010d\u00ed t\u00e9m\u011b\u0159 neviditeln\u00e9, ale z v\u00fd\u0161ky se n\u00e1hle odhal\u00ed. Vzory lze naj\u00edt t\u00e9m\u011b\u0159 v ka\u017ed\u00e9m \u017e\u00e1nru fotografie. Formace obil\u00ed na poli, pl\u00e1\u017eov\u00e9 chaty a ru\u010dn\u00edky se\u0159azen\u00e9 pod\u00e9l pob\u0159e\u017e\u00ed nebo uspo\u0159\u00e1d\u00e1n\u00ed stol\u016f p\u0159ed kav\u00e1rnou \u2013 to v\u0161e je z vy\u0161\u0161\u00ed perspektivy mnohem n\u00e1padn\u011bj\u0161\u00ed.<\/p>\n\n

Za t\u00edm se vlastn\u011b skr\u00fdv\u00e1 ur\u010dit\u00e1 psychologie. Lidsk\u00fd mozek je naprogramov\u00e1n tak, aby vn\u00edmal vzory. Vlastn\u011b po nich p\u0159\u00edmo tou\u017e\u00ed. Rozpozn\u00e1v\u00e1n\u00ed vzor\u016f umo\u017e\u0148uje mozku p\u0159epnout na \u201eautopilota\u201c, m\u00edsto aby zpracov\u00e1val ka\u017ed\u00fd drobn\u00fd detail zvl\u00e1\u0161\u0165. Existuj\u00ed pro to i evolu\u010dn\u00ed d\u016fvody, jako je rozpozn\u00e1v\u00e1n\u00ed sez\u00f3nn\u00edch zm\u011bn, kter\u00e9 n\u00e1m pom\u00e1haj\u00ed p\u011bstovat potraviny nebo naj\u00edt bezpe\u010dn\u00e1 m\u00edsta k \u00fakrytu. Kdy\u017e tedy do fotografie vlo\u017e\u00edme vzory, mozek div\u00e1ka se na n\u011b p\u0159irozen\u011b zam\u011b\u0159\u00ed, ani\u017e byste museli z\u00e1m\u011brn\u011b v\u00e9st jeho pohled.<\/p>\n\n

Kdy\u017e jsem se ocitl nad ulicemi Gangnamu, okam\u017eit\u011b m\u011b zaujaly dopravn\u00ed zna\u010den\u00ed. Z \u00farovn\u011b ulice jsem si jich t\u00e9m\u011b\u0159 nev\u0161iml, proto\u017ee tam byly jen dal\u0161\u00ed sou\u010d\u00e1st\u00ed vizu\u00e1ln\u00edho \u0161umu. Shora se v\u0161ak staly v\u00fdrazn\u00fdmi kompozi\u010dn\u00edmi prvky, kter\u00e9 pomohly dotvo\u0159it celkov\u00fd obraz.\"Pohled<\/p>\n\n

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Editor fotografi\u00ed s um\u011blou inteligenc\u00ed pro MacOS a Windows\r\n\r\n<\/p>\n

\n \n Objevte nyn\u00ed! <\/a>\n <\/div>\n <\/div>\n<\/div>\n

Ru\u0161n\u00e9 sc\u00e9ny se zjednodu\u0161uj\u00ed a jejich tempo se zpomaluje<\/h2>\n\n

K tomu doch\u00e1z\u00ed z \u0159ady d\u016fvod\u016f. Zjednodu\u0161ujeme pozad\u00ed, z\u00edsk\u00e1v\u00e1me lep\u0161\u00ed v\u00fdhled na fotografovan\u00fd objekt a l\u00e9pe ch\u00e1peme strukturu okol\u00ed. Pokud tedy fotografujete jak\u00e9koli ru\u0161n\u00e9 nebo p\u0159epln\u011bn\u00e9 m\u00edsto, nalezen\u00ed m\u00edrn\u011b vyv\u00fd\u0161en\u00e9ho m\u00edsta m\u016f\u017ee vytvo\u0159it prostor k nadechnut\u00ed a z\u00e1rove\u0148 div\u00e1kovi usnadnit pochopen\u00ed sc\u00e9ny.<\/p>\n\n

To pro m\u011b bylo asi nejv\u011bt\u0161\u00ed p\u0159ekvapen\u00ed. Nikdy by m\u011b nenapadlo, \u017ee se mi v Gangnamu poda\u0159\u00ed po\u0159\u00eddit slu\u0161n\u00e9 pouli\u010dn\u00ed sn\u00edmky.\"Rušná Je tam prost\u011b p\u0159\u00edli\u0161 mnoho lid\u00ed, p\u0159\u00edli\u0161 mnoho aut a samotn\u00e9 ulice jsou neuv\u011b\u0159iteln\u011b \u00fazk\u00e9. Z v\u00fd\u0161ky v\u0161ak v\u0161echno najednou p\u016fsobilo podivn\u011b klidn\u011b, t\u00e9m\u011b\u0159 jako bych se odpoutal od chaosu dole.<\/p>\n\n

D\u00edky tomu jsem tak\u00e9 m\u011bl mnohem v\u00edce p\u0159\u00edle\u017eitost\u00ed rozpoznat zaj\u00edmav\u00e9 okam\u017eiky a m\u011bl jsem v\u00edce \u010dasu je zachytit. Z \u00farovn\u011b o\u010d\u00ed mohou okam\u017eiky zmizet v m\u017eiku \u2013 lid\u00e9 v\u00e1m p\u0159ejdou p\u0159ed objektivem, auta v\u00e1m zablokuj\u00ed v\u00fdhled nebo se v\u00e1\u0161 objekt prost\u011b ztrat\u00ed v davu.<\/p>\n\n

Z v\u00fd\u0161ky v\u0161ak m\u016f\u017eete m\u00edt objekt na dohled mnohem d\u00e9le, proto\u017ee m\u00e1te mnohem jasn\u011bj\u0161\u00ed p\u0159ehled o cel\u00e9m okol\u00ed.<\/p>\n\n

Vynikne jin\u00fd p\u0159\u00edb\u011bh<\/h2>\n\n

Pokud fotografujete auto z \u00farovn\u011b o\u010d\u00ed, zachycujete zn\u00e1m\u00fd a pom\u011brn\u011b b\u011b\u017en\u00fd pohled na n\u011bj. Najd\u011bte si v\u0161ak trochu vyv\u00fd\u0161en\u00e9 m\u00edsto a okam\u017eit\u011b za\u010dnete v jeho designu vn\u00edmat nov\u00e9 tvary, linie a proporce. Tot\u00e9\u017e plat\u00ed pro budovy, krajiny i lidi. Zm\u011bnou \u00fahlu pohledu m\u011bn\u00edte zp\u016fsob, jak\u00fdm div\u00e1k vn\u00edm\u00e1 objekt, a t\u00edm vypr\u00e1v\u00edte jin\u00fd p\u0159\u00edb\u011bh.<\/p>\n\n

Ten pocit osam\u011blosti, kter\u00fd se mi poda\u0159ilo zachytit v Gangnamu, byl typick\u00fd pr\u00e1v\u011b pro tyto vyv\u00fd\u0161en\u00e9 vyhl\u00eddky.\"Noční Osam\u011blost v Soulu jsem fotografoval u\u017e d\u0159\u00edve, proto\u017ee \u2013 v\u011b\u0159te tomu nebo ne \u2013 jakmile se vzd\u00e1l\u00edte od nejru\u0161n\u011bj\u0161\u00edch \u010dtvrt\u00ed, je docela snadn\u00e9 naj\u00edt klidn\u011bj\u0161\u00ed ulice. Rozsah vysok\u00fdch budov m\u011bsta tento pocit p\u0159irozen\u011b je\u0161t\u011b umocnil.<\/p>\n\n

Pokud v\u0161ak takov\u00e1 klidn\u00e1 m\u00edsta nejsou k dispozici, podobn\u00e9ho efektu lze dos\u00e1hnout i pouh\u00fdm vyv\u00fd\u0161en\u00edm se. A\u0165 u\u017e fotografujete cokoli, objekt se p\u0159i pohledu shora \u010dasto jev\u00ed izolovan\u011bj\u0161\u00ed, co\u017e umo\u017e\u0148uje, aby celkovou atmosf\u00e9ru utv\u00e1\u0159elo okoln\u00ed prost\u0159ed\u00ed a v\u00e1\u0161 styl \u00fapravy sn\u00edmk\u016f. Izolace tak\u00e9 nemus\u00ed v\u017edy znamenat osam\u011blost. N\u011bkdy jde prost\u011b jen o to, abyste na sv\u016fj objekt kladli v\u011bt\u0161\u00ed d\u016fraz.<\/p>\n\n

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Zlep\u0161ete sv\u00e9 fotografie pomoc\u00ed na\u0161eho pokro\u010dil\u00e9ho softwaru\r\n\r\n<\/p>\n

\n \n Objevte ceny <\/a>\n <\/div>\n <\/div>\n<\/div>\n

Oby\u010dejn\u00e1 m\u00edsta se st\u00e1vaj\u00ed zaj\u00edmav\u00fdmi<\/h2>\n\n

Snad nejd\u016fle\u017eit\u011bj\u0161\u00edm poznatkem, kter\u00fd jsem si z tohoto focen\u00ed odnesl, bylo to, \u017ee zcela odli\u0161n\u00fd \u00fahel pohledu dok\u00e1\u017ee vdechnout nov\u00fd \u017eivot m\u00edst\u016fm, kter\u00e1 jsem fotografoval u\u017e nes\u010detn\u011bkr\u00e1t. Moje obvykl\u00e1 m\u00edsta mi za\u010dala p\u0159ipadat monot\u00f3nn\u00ed a u\u017e m\u011b zdaleka tak neinspirovala, co\u017e byl vlastn\u011b d\u016fvod, pro\u010d jsem se do Gangnamu v\u016fbec vydal. Cht\u011bl jsem zm\u011bnu prost\u0159ed\u00ed.\"Pohled<\/p>\n\n

Od toho focen\u00ed v\u0161ak v\u0161ude, kam p\u0159ijdu, hled\u00e1m m\u00edsta ve v\u00fd\u0161ce. Moje o\u010di u\u017e p\u0159i hled\u00e1n\u00ed motiv\u016f neprohled\u00e1vaj\u00ed jen \u00farove\u0148 ulice. D\u00edvaj\u00ed se tak\u00e9 nahoru a hledaj\u00ed schodi\u0161t\u011b, l\u00e1vky, balkony nebo dokonce komer\u010dn\u00ed budovy s okny, ze kter\u00fdch bych mohl fotit.<\/p>\n\n

Z\u00e1v\u011br<\/h2>\n\n

Pokud v\u00e1s za\u010d\u00ednaj\u00ed nudit st\u00e1le stejn\u00e1 m\u00edsta, mo\u017en\u00e1 je na \u010dase p\u0159estat hledat nov\u00e1 m\u00edsta a za\u010d\u00edt hledat nov\u00e9 \u00fahly pohledu. Sta\u010d\u00ed naj\u00edt trochu v\u00fd\u0161ky a zn\u00e1m\u00e1 sc\u00e9na m\u016f\u017ee vypadat \u00fapln\u011b jinak. Najednou se objev\u00ed vzory, kompozice se zjednodu\u0161\u00ed a vyno\u0159\u00ed se p\u0159\u00edb\u011bhy, o kter\u00fdch jste ani netu\u0161ili, \u017ee tam jsou.<\/p>\n\n

Va\u0161e objekty za\u010dnou vypadat \u00fapln\u011b jinak a vy za\u010dnete uva\u017eovat o n\u00e1lad\u00e1ch a t\u00e9matech, kter\u00e1 by v\u00e1s d\u0159\u00edve mo\u017en\u00e1 ani nenapadla.<\/p>\n\n

Mo\u017en\u00e1 dokonce zjist\u00edte, \u017ee m\u00edsto, kter\u00e9mu jste se kdysi vyh\u00fdbali, se stane jedn\u00edm z va\u0161ich nejobl\u00edben\u011bj\u0161\u00edch m\u00edst pro fotografov\u00e1n\u00ed.<\/p>\n\n

A\u017e p\u0159\u00ed\u0161t\u011b vyraz\u00edte fotit, ned\u00edvejte se jen na to, co m\u00e1te p\u0159\u00edmo p\u0159ed sebou. Zvedn\u011bte tak\u00e9 pohled nahoru.<\/p>\n","protected":false},"excerpt":{"rendered":"

Co se zm\u011bn\u00ed, kdy\u017e p\u0159estanete fotografovat z \u00farovn\u011b o\u010d\u00ed? Fotograf Steve Roe zkoum\u00e1, jak m\u016f\u017ee fotografov\u00e1n\u00ed z v\u00fd\u0161ky odhalit nov\u00e9 kompozice, p\u016fsobiv\u011bj\u0161\u00ed p\u0159\u00edb\u011bhy a ne\u010dekan\u00e9 \u00fahly pohledu.<\/p>\n","protected":false},"author":105,"featured_media":322853,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_eb_attr":"","footnotes":""},"categories":[9],"tags":[],"class_list":["post-323643","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-cs"],"acf":[],"yoast_head":"\nFotografov\u00e1n\u00ed z vysok\u00e9ho \u00fahlu: Tipy pro kompozici I Blog Skylum<\/title>\n<meta name=\"description\" content=\"Dos\u00e1hn\u011bte dramati\u010dt\u011bj\u0161\u00edch kompozic fotografov\u00e1n\u00edm shora. 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